German Jewish Expressionist playwright who took part in the Bavarian revolution
After volunteering for the German army in World War I and being wounded at Verdun, Toller was discharged in 1917; his wartime experience turned him toward pacifism, and he joined the Independent Social Democratic Party of Germany. In April 1919 he served six days as president of the Bavarian Soviet Republic and took part in its armed resistance; sentenced to five years for high treason, he wrote several major plays in prison. Exiled after the Nazis came to power, he continued warning against Nazism and died by suicide in New York in 1939.
Career timeline
1914Volunteered for the German army and served in World War I.
1917Discharged from military service after wartime injury and ill health.
1919As a member of the Independent Social Democratic Party of Germany, joined the leadership of the Bavarian Soviet Republic and served as its president, April 6–12.
1919Sentenced to five years in prison for high treason over his role in the republic's armed resistance.
1925Released, expelled from Bavaria, and went to Berlin.
1933After the Nazi seizure of power, left Germany and went into exile, moving through Switzerland, France, and England before the United States.
Marxist playwright who weaponized theatre for class struggle through epic theatre and the Verfremdungseffekt
When I read Marx's Capital, I understood my plays — Marx was the only spectator for my plays I'd ever come across.
Bertolt Brecht was the 20th century's most important Marxist playwright and the founder of epic theatre, a poet and director who transformed the stage into a forum for class consciousness and anti-capitalist critique. After embracing Marxism under Karl Korsch in the late 1920s, he developed the Verfremdungseffekt — a defamiliarization technique that broke emotional immersion to provoke critical reflection — and with works like The Threepenny Opera, Mother Courage and Her Children, and The Good Person of Szechwan, he fused avant-garde form with popular idiom to anatomize capitalism and war. Driven out by the Nazis in 1933, he lived in exile in Scandinavia and the US—where HUAC investigated him in 1947—before returning to found the Berliner Ensemble with Helene Weigel in East Berlin in 1949, defining postwar theatre worldwide until his death in 1956.
Career timeline
1922Wins Kleist Prize for Drums in the Night
1924Moves to Berlin; assistant dramaturg at Deutsches Theater
1928The Threepenny Opera premieres, biggest Berlin hit of the 1920s
1933Flees Nazi Germany; begins 15-year exile through Scandinavia and the US
1947Testifies before HUAC in Hollywood; leaves the US the next day
1949Founds Berliner Ensemble in East Berlin with Helene Weigel
