Activities and affiliations

Literature and arts 1930–2005 ○ Natural causes

Editor of Moscow News who led the charge in breaking Soviet taboos during the glasnost era

「You can't go to bed a mute and wake up talking」: on the incremental widening of what could be said as censorship eased.

A Moscow Historical Archive Institute graduate, he worked as an Izvestia correspondent and founding editor of Zhurnalist magazine before his appointment in August 1986 as deputy chairman of Novosti Press Agency and editor-in-chief of Moscow News. He transformed the weekly from a 35,000-copy English-language propaganda sheet into a glasnost flagship printing 3 million copies in eight languages. Week after week he broke taboos (Stalin's purges, the Afghan war, KGB operations, religion) and during the August 1991 coup he rallied 11 independent newspapers to produce the joint edition Obshchaya Gazeta in defiance of the putschists.

Literature and arts 1933–2012 ○ Natural causes

First professional Koryak writer and USSR People's Deputy

After his 1989 election as a USSR People's Deputy, he refused a Moscow apartment and returned to his native Palana. 'Each of my books is a Confession for me,' he said.

The first professional Koryak writer, widely known by his pen name Koyanto (Коянто, 'Reindeer Man'), he was a foundational figure of Koryak literature. After graduating from the Northern Faculty of the Herzen Pedagogical Institute in Leningrad and the Higher Literary Courses at the Gorky Literary Institute, he devoted his life to rendering the lives, myths, and identity of the Koryak and other northern indigenous peoples in poetry and prose, beginning with his first collection Songs of Alney (1969). His prose work The Upper People Can Wait (1976) stirred controversy with its sharp critique of Soviet bureaucratic policies toward the North. In 1989 he was elected a USSR People's Deputy from the Koryak Autonomous Okrug, championing indigenous rights, and after the Soviet dissolution he continued to serve his homeland as chair of the human rights commission and adviser to the governor.

Literature and arts 1933–2017 ○ Natural causes

A poet in Russia is more than a poet: the stadium-filling voice of the Thaw and its contradictions

'No monument stands over Babi Yar' — the opening line of his 1961 poem cracked open the state narrative that buried the Holocaust inside a generic story of Soviet suffering.

A defining poet of the Thaw. 'Babi Yar' (1961) broke the Soviet silence on the Holocaust. His stadium readings drew mass popularity, and his line 'A poet in Russia is more than a poet' declared literature's public mission.

Literature and arts 1936–

The artist who gave the Singing Revolution its name

On 11 September 1988, from the stage of Eestimaa Laul before 300,000 people, he declared: "One day, no matter what, we will win!" Those words became the slogan of Estonia's freedom struggle.

An Estonian artist and caricaturist, Valk coined the term "Singing Revolution" in an article published in Sirp ja Vasar on 17 June 1988, a week after the spontaneous night-singing demonstrations at the Tallinn Song Festival Grounds. At the Eestimaa Laul gathering that September, he declared before 300,000 people, "One day, no matter what, we will win!" (Ükskord me võidame niikuinii!), a phrase that became the independence movement's defining slogan. A founding member of the Estonian Heritage Society and the Popular Front (Rahvarinne), he served in the Estonian Supreme Council from 1990 to 1992 and voted on 20 August 1991 for the restoration of independence.

Literature and arts Affiliation unconfirmed 1936–2011 ○ Natural causes

Czech playwright-turned-president whose absurdist theater critiqued the regime and whose dissident leadership ended communist rule

In February 1969, Havel published 'Český úděl?' in the journal Tvář, rebutting Kundera's lyrical nationalism: 'I do not believe in this fate… first and foremost we ourselves are the masters of our fate.'

Czech playwright, dissident, and statesman. His absurdist plays The Garden Party (1963) and The Memorandum (1965) won international acclaim for their satire of the Communist system. After the Prague Spring was crushed in 1968, he answered Milan Kundera's 'Český úděl' with 'Český úděl?', arguing the reforms had merely restored freedoms that existed thirty years earlier, and turned fully to dissident politics. He co-founded Charter 77, endured nearly four years in prison (1979–1983), led the Civic Forum in the 1989 Velvet Revolution, and became the last president of Czechoslovakia and the first president of the Czech Republic.

Literature and arts 1936–2025 ○ Natural causes

The editor who turned Ogonyok into the battering ram of glasnost, publishing what the system suppressed for seventy years

"For seventy years, we were taught that the son who betrayed his father, or a person who burned a church, was a hero. People have been living a comprehensive lie."

A Kyiv-born poet and physician, Korotich was an establishment writer who won the USSR State Prize for an anti-American novel in 1985, but when Alexander Yakovlev secured his appointment as editor of Ogonyok in May 1986, he turned the magazine into the spearhead of glasnost. Ogonyok was the first to publish the truth about the Afghanistan war's casualties, Stalin's purges, and nomenklatura privileges, and was the first to print Pasternak and Nabokov; circulation exploded from 260,000 to 4.6 million. Elected a People's Deputy in 1989, he joined the Interregional Group; after refusing to return from the US during the August 1991 coup, he was dismissed, later taught at Boston University, and in his final years publicly supported Russia's invasion of Ukraine.

Literature and arts 1938–1980 ✕ Car crash

Historian and playwright who foresaw the Soviet collapse by 1984

“This trial inspires neither respect nor fear in me. The process of intellectual liberation that has begun is irreversible.” — final statement at Sverdlovsk court, November 1970

A historian and absurdist playwright, he predicted the Soviet system's inherent collapse in his essay "Will the Soviet Union Survive Until 1984?" (1970). Imprisoned twice for dissident activity, he was forced into exile in 1976 and continued writing in the West.

Literature and arts 1938–1980 ○ Heart attack

The voice the state silenced, but a million tapes couldn't

28 July 1980, during the Moscow Olympics. Vysotsky's body lay in the Taganka Theatre foyer as over 100,000 people formed a line kilometers long. Police estimated 108,000. Not a single Hamlet ticket holder asked for a refund.

A Taganka Theatre actor and the Soviet Union's greatest bard, who wrote over 700 songs for the seven-string guitar, officially barred from airwaves yet ubiquitous on copied reel-to-reel tapes. His 1971 Hamlet, an intellectual rebel in a black sweater, became a generational emblem, while his songs borrowed the masks of criminals, frontoviki, and alcoholics to speak social taboos in raw street vernacular. He was that rarest phenomenon: adored by the masses and by Brezhnev, who listened to his songs by telephone from a hospital bed. When he died at 42 during the 1980 Moscow Olympics, over 100,000 mourners filled Taganka Square, proving the scale of the voice the state had tried to erase.

Literature and arts 1947–1998

The KGB-veteran writer who published Yezhov's case file wrapped in novelistic reconstruction

While still on active duty, writing spy novels under the pseudonym 'Vasily Timofeyev', he unearthed Yezhov's interrogation records before their declassification and reproduced them verbatim in his biography.

A Russian writer who came out of the Soviet state-security service (KGB). Drawing on investigation files before their formal declassification, he wrote the biography Yezhov: The Story of the "Iron" Stalinist People's Commissar (2001, "Special Archive" series). The book was an early publication of Yezhov's interrogation records and trial file, but it splices novelistic reconstructions of the interrogation room between the documents, blurring the line between source and fiction.

Literature and arts 1948–

A writer who recorded the Soviet century through voices of testimony

“I've been searching for a literary method that would allow the closest possible approximation to real life.”

Svetlana Alexievich is a Belarusian writer and journalist who built a literature of collective memory by shaping testimonies from people who lived through war and social upheaval in Russian. War's Unwomanly Face and Zinky Boys brought the experiences of women and soldiers, often obscured by official heroic narratives, into view; Voices from Chernobyl recorded the human consequences of the 1986 disaster through survivors, bereaved families, and liquidators. Her work accepts the tension between documentary record and literary construction while placing individual voices at the center of historical understanding, and she received the 2015 Nobel Prize in Literature.

Literature and arts 1949–1991 ✕ Murdered

A documentary filmmaker who recorded Latvia's independence struggle from the ground

On the evening of 20 January 1991 he carried his camera to the barricades to show the world OMON's assault on the Interior Ministry, and was shot dead while filming at Bastejkalns.

Andris Slapiņš was a Latvian documentary filmmaker and cinematographer who worked at Riga Film Studio. His films explored Livonian culture as well as Latvian history and social life, showing how documentary could connect suppressed memory with present struggle. He was killed in Riga on 20 January 1991 while filming the attack on the Interior Ministry, and the footage he helped create became part of the international memory of Latvia's independence movement.

Literature and arts 1961–1996 ○ Heart attack

The composer whose five 'Fatherland' songs became the emotional engine of the Singing Revolution

He silenced the band and, barehanded before 300,000 people, conducted the crowd as they sang 'I am Estonian and will remain Estonian.'

An Estonian composer and musician whose 'Five Patriotic Songs' cycle channeled the independence aspirations of the Singing Revolution in the late 1980s, uniting the masses in emotion. His 1987 protest ballad 'No Land Is Alone', written in solidarity with the anti-phosphorite mining movement, became the prelude to the Revolution; the five songs premiered at the Tartu Pop Festival in May 1988 and reached their peak at the 'Eestimaa Laul' concert in September, where 300,000 gathered at the Tallinn Song Festival Grounds. He died of a heart attack in 1996 at the age of 35, leaving nearly 200 works across diverse genres, but history remembers him above all as the composer of Estonia's independence movement.

Literature and arts Affiliation unconfirmed 1963–1991 ✕ Shot dead

The architect and poet shot dead rushing a BMP as the troops pulled back, the last of the coup's three martyrs

In a video recording, Ilya stands before a tank and shouts at the soldiers: 'What are you doing? People are dying!'

A Moscow Architectural Institute graduate who worked as an architect and wrote poetry posthumously collected in Yevtushenko's Strophes of the Century. During the August 1991 coup, in the early hours of 21 August, he rushed at a BMP in the Tchaikovsky Tunnel after another armored vehicle had been set ablaze and the troops were pulling back; he was shot in the head and died at the scene. Posthumously made a Hero of the Soviet Union, Krichevsky was one of the coup's only three fatalities, and his Jewish funeral, with a rabbi and an Orthodox priest officiating together, became a public symbol of the new Russia's multi-ethnic identity.