People of the Revolution and the USSR

Anatoly Naumovich Rybakov

Анатолий Наумович Рыбаков
Soviet Union Russia 1911–1998 ○ Natural causes

The writer whose banned novel became the emblem of glasnost

Stalin speaks in Children of the Arbat: "Death solves all problems — no man, no problem." In one sentence, the cold logic of an era.

A Soviet Jewish writer who grew up on Moscow's Arbat Street. Arrested by the NKVD in 1933 and exiled to Siberia for three years, he later commanded a tank unit through to Berlin. His novel Children of the Arbat, written in the 1960s, was suppressed for over twenty years until glasnost finally brought it to light in 1987, making it a literary landmark of de-Stalinization. Heavy Sand (1979), depicting a Jewish family's struggle under Nazi occupation, was hailed as the first Russian-language Holocaust novel.

Career timeline
  • 1933–1936Arrested by NKVD, three years Siberian exile
  • 1941–1946Tank commander, Moscow to Berlin
  • 1948–1956Children's books debut (Kortik, Bronze Bird)
  • 1950Stalin Prize for Drivers
  • 1960s–1987Children of the Arbat written, samizdat, suppressed
  • 1979Heavy Sand — first Russian-language Holocaust novel
  • 1987Children of the Arbat published under glasnost; global sensation
  • 1989–1991President, Soviet PEN Center

Tengiz Evgenyevich Abuladze

თენგიზ ევგენის ძე აბულაძე
Soviet Communist Party and Bolsheviks Soviet communism Soviet Georgian 1924–1994 ○ Natural causes

Georgian film director whose Repentance fired the cultural starting gun of glasnost

When Repentance was shelved, Abuladze kept the only video copy under his bed, fearing it would be destroyed.

A Georgian Soviet film director. His debut Magdana's Donkey (1955), co-directed with Rezo Chkheidze, won the Cannes short film prize and signaled Soviet cinema's return to the international stage. His trilogy of The Plea (1967), The Wishing Tree (1976), and Repentance (1984) marked his peak; Repentance, shelved for two years after completion, was the first Soviet film to confront the Stalinist terror in allegorical form, and its 1986 release at the Fifth Congress of the Filmmakers' Union became the cultural starting gun of glasnost. It won the Grand Prix at Cannes in 1987; Abuladze later served as a People's Deputy of the USSR (1989–1991).

Career timeline
  • 1943Entered Tbilisi Theatre Institute, graduated 1946
  • 1953Graduated VGIK, joined Gruziya-film
  • 1955Co-directed Magdana's Donkey, Cannes short film prize (1956)
  • 1967Completed The Plea, first film of the trilogy
  • 1976Completed The Wishing Tree, professor at Tbilisi Theatre Institute
  • 1984Completed Repentance, banned for two years
  • 1986Repentance released, became a symbol of glasnost
  • 1989Elected People's Deputy of the USSR

Yegor Vladimirovich Yakovlev

Егор Владимирович Яковлев
Soviet Communist Party and Bolsheviks Soviet communism Soviet Union Russia 1930–2005 ○ Natural causes

Editor of Moscow News who led the charge in breaking Soviet taboos during the glasnost era

「You can't go to bed a mute and wake up talking」: on the incremental widening of what could be said as censorship eased.

A Moscow Historical Archive Institute graduate, he worked as an Izvestia correspondent and founding editor of Zhurnalist magazine before his appointment in August 1986 as deputy chairman of Novosti Press Agency and editor-in-chief of Moscow News. He transformed the weekly from a 35,000-copy English-language propaganda sheet into a glasnost flagship printing 3 million copies in eight languages. Week after week he broke taboos (Stalin's purges, the Afghan war, KGB operations, religion) and during the August 1991 coup he rallied 11 independent newspapers to produce the joint edition Obshchaya Gazeta in defiance of the putschists.

Career timeline
  • 1954Graduates from Moscow Historical Archive Institute
  • 1956–1966Reporter at Moskovskaya Pravda, Komsomolskaya Pravda, Izvestia
  • 1967–1968Founds and edits Zhurnalist magazine
  • 1968–1985Izvestia special correspondent, Prague bureau
  • 1986–1991Deputy chairman of APN, editor-in-chief of Moscow News
  • 1991–1992Chairman, All-Union and Russian State TV and Radio
  • 1993–2002Publisher of Obshchaya Gazeta

Vladimir Vladimirovich Kosygin

Владимир Владимирович Косыгин
Soviet Koryak (Russia) 1933–2012 ○ Natural causes

First professional Koryak writer and USSR People's Deputy

After his 1989 election as a USSR People's Deputy, he refused a Moscow apartment and returned to his native Palana. 'Each of my books is a Confession for me,' he said.

The first professional Koryak writer, widely known by his pen name Koyanto (Коянто, 'Reindeer Man'), he was a foundational figure of Koryak literature. After graduating from the Northern Faculty of the Herzen Pedagogical Institute in Leningrad and the Higher Literary Courses at the Gorky Literary Institute, he devoted his life to rendering the lives, myths, and identity of the Koryak and other northern indigenous peoples in poetry and prose, beginning with his first collection Songs of Alney (1969). His prose work The Upper People Can Wait (1976) stirred controversy with its sharp critique of Soviet bureaucratic policies toward the North. In 1989 he was elected a USSR People's Deputy from the Koryak Autonomous Okrug, championing indigenous rights, and after the Soviet dissolution he continued to serve his homeland as chair of the human rights commission and adviser to the governor.

Career timeline
  • 1956Worked as teacher, methodologist, and cultural center director in Koryak Autonomous Okrug
  • 1969Published first poetry collection Songs of Alney; adopted pen name 'Koyanto'
  • 1972Member, Union of Writers of the USSR
  • 1974Co-founded the Kamchatka Writers' Organization
  • 1976Published The Upper People Can Wait, a controversial critique of northern bureaucracy
  • 1989–1991USSR People's Deputy (Koryak Autonomous Okrug); member, Commission on Social and Economic Development of Republics and Autonomous Regions
  • 1990s–2000sExpert at the Presidential Representative Office, adviser to the governor, chair of the Human Rights Commission of Koryak Autonomous Okrug
  • 2002–2012Chaired the Human Rights Commission; taught Northern literature at Palana Pedagogical College

Heinz Valk

Heinz Valk
Estonia Estonia 1936–

The artist who gave the Singing Revolution its name

On 11 September 1988, from the stage of Eestimaa Laul before 300,000 people, he declared: "One day, no matter what, we will win!" Those words became the slogan of Estonia's freedom struggle.

An Estonian artist and caricaturist, Valk coined the term "Singing Revolution" in an article published in Sirp ja Vasar on 17 June 1988, a week after the spontaneous night-singing demonstrations at the Tallinn Song Festival Grounds. At the Eestimaa Laul gathering that September, he declared before 300,000 people, "One day, no matter what, we will win!" (Ükskord me võidame niikuinii!), a phrase that became the independence movement's defining slogan. A founding member of the Estonian Heritage Society and the Popular Front (Rahvarinne), he served in the Estonian Supreme Council from 1990 to 1992 and voted on 20 August 1991 for the restoration of independence.

Career timeline
  • 1955–1961Studied metalwork at the Estonian State Art Institute, graduated
  • 1972–1976Chief artist of the Estonian SSR Art Fund
  • 1979–1987First Secretary of the Estonian SSR Artists' Union board (non-party)
  • 1987Founding member of the Estonian Heritage Society
  • 1987–1989Lecturer at Tallinn Art University
  • 1988Co-founder of the Estonian Popular Front (Rahvarinne), designed its logo
  • 1990–1992Member of the Estonian Supreme Council; voted for the restoration of independence on 20 August 1991

Vitaly Alekseevich Korotich

Виталий Алексеевич Коротич
Soviet Communist Party and Bolsheviks Soviet communism USSR Ukraine 1936–2025 ○ Natural causes

The editor who turned Ogonyok into the battering ram of glasnost, publishing what the system suppressed for seventy years

"For seventy years, we were taught that the son who betrayed his father, or a person who burned a church, was a hero. People have been living a comprehensive lie."

A Kyiv-born poet and physician, Korotich was an establishment writer who won the USSR State Prize for an anti-American novel in 1985, but when Alexander Yakovlev secured his appointment as editor of Ogonyok in May 1986, he turned the magazine into the spearhead of glasnost. Ogonyok was the first to publish the truth about the Afghanistan war's casualties, Stalin's purges, and nomenklatura privileges, and was the first to print Pasternak and Nabokov; circulation exploded from 260,000 to 4.6 million. Elected a People's Deputy in 1989, he joined the Interregional Group; after refusing to return from the US during the August 1991 coup, he was dismissed, later taught at Boston University, and in his final years publicly supported Russia's invasion of Ukraine.

Career timeline
  • 1959–1966Physician, Kyiv
  • 1966–1967Editor-in-chief, Ranok
  • 1967–1969Secretary, Writers' Union of Ukraine
  • 1978–1986Editor-in-chief, Vsesvit
  • 1986–1991Editor-in-chief, Ogonyok
  • 1989–1991People's Deputy of the USSR
  • 1992–1998Professor, Boston University
  • 1999–2014Chairman, editorial board, Bulvar Gordona

Nikolai Nikolayevich Gubenko

Николай Николаевич Губенко
Soviet Union Soviet communism Soviet Union Ukraine 1941–2020 ○ Natural causes

The last Soviet culture minister

In his diploma performance as Hitler, Gubenko poured all his hatred for the man who killed his parents into the role. Lyubimov saw it and immediately brought him to the Taganka Theatre.

An actor and film director who rose from war orphan to People's Artist of the RSFSR. He was the first working arts professional to become Soviet Minister of Culture (1989–1991) since Anatoly Lunacharsky. After the USSR collapsed, he entered left-wing politics, serving as chair of the Duma's Culture Committee and deputy speaker of the Moscow City Duma, where he defended Soviet cultural heritage. Following the Taganka Theatre split, he founded and led the Sodruzhestvo Aktyorov Taganki until his death in 2020.

Career timeline
  • 1989–1991Minister of Culture

Andris Slapiņš

Andris Slapiņš
Soviet Union Latvian 1949–1991 ✕ Murdered

A documentary filmmaker who recorded Latvia's independence struggle from the ground

On the evening of 20 January 1991 he carried his camera to the barricades to show the world OMON's assault on the Interior Ministry, and was shot dead while filming at Bastejkalns.

Andris Slapiņš was a Latvian documentary filmmaker and cinematographer who worked at Riga Film Studio. His films explored Livonian culture as well as Latvian history and social life, showing how documentary could connect suppressed memory with present struggle. He was killed in Riga on 20 January 1991 while filming the attack on the Interior Ministry, and the footage he helped create became part of the international memory of Latvia's independence movement.

Career timeline
  • 1971–1976Cameraman, Riga Film Studio
  • 1976Graduated from VGIK, cameramen department
  • 1978Cinematographer, Riga
  • 1983Documentary director, Riga Film Studio
  • 1988Director and cinematographer, The Field of Hopes
  • 1989Director, Letters from Latvia
  • 1990Cinematographer, Homeland, directed by Juris Podnieks
  • 1991Killed while filming the attack on Riga's Interior Ministry

Alo Mattiisen

Alo Mattiisen
Soviet Estonia 1961–1996 ○ Heart attack

The composer whose five 'Fatherland' songs became the emotional engine of the Singing Revolution

He silenced the band and, barehanded before 300,000 people, conducted the crowd as they sang 'I am Estonian and will remain Estonian.'

An Estonian composer and musician whose 'Five Patriotic Songs' cycle channeled the independence aspirations of the Singing Revolution in the late 1980s, uniting the masses in emotion. His 1987 protest ballad 'No Land Is Alone', written in solidarity with the anti-phosphorite mining movement, became the prelude to the Revolution; the five songs premiered at the Tartu Pop Festival in May 1988 and reached their peak at the 'Eestimaa Laul' concert in September, where 300,000 gathered at the Tallinn Song Festival Grounds. He died of a heart attack in 1996 at the age of 35, leaving nearly 200 works across diverse genres, but history remembers him above all as the composer of Estonia's independence movement.

Career timeline
  • 1984Graduated from Tallinn State Conservatory, music pedagogy
  • 1984Joined prog-rock band In Spe, replacing Erkki-Sven Tüür
  • 1987Released 'Ei ole üksi ükski maa', a protest ballad for the anti-phosphorite mining movement
  • 1988Premiered the 'Five Patriotic Songs' cycle at Tartu Pop Festival
  • 1988Graduated from Tallinn State Conservatory, composition
  • 1988–1989Estonian SSR Yearly Music Award

Ilya Maratovich Krichevsky

Илья Маратович Кричевский
Union of Soviet Socialist Republics Russian 1963–1991 ✕ Shot dead

The architect and poet shot dead rushing a BMP as the troops pulled back, the last of the coup's three martyrs

In a video recording, Ilya stands before a tank and shouts at the soldiers: 'What are you doing? People are dying!'

A Moscow Architectural Institute graduate who worked as an architect and wrote poetry posthumously collected in Yevtushenko's Strophes of the Century. During the August 1991 coup, in the early hours of 21 August, he rushed at a BMP in the Tchaikovsky Tunnel after another armored vehicle had been set ablaze and the troops were pulling back; he was shot in the head and died at the scene. Posthumously made a Hero of the Soviet Union, Krichevsky was one of the coup's only three fatalities, and his Jewish funeral, with a rabbi and an Orthodox priest officiating together, became a public symbol of the new Russia's multi-ethnic identity.

Career timeline
  • 1980Graduated Moscow Secondary School No. 744
  • 1986Graduated Moscow Architectural Institute; architect, State Project Institute No. 6
  • 1986–1988Served in the Soviet Army (tank troops, junior sergeant)
  • 1988–1991Architect, Kommunar design-construction cooperative
  • 1991.08.21Killed in the Tchaikovsky Tunnel defending the White House during the August coup