People of the Revolution and the USSR

Independent activity 1748–1793

Writer who demanded women’s civil and political rights

She demanded abolition of slavery and the death penalty, and her 1791 Declaration of the Rights of Woman claimed voting rights and legal equality for women. The Revolutionary Tribunal condemned her to death in 1793.

Born Marie Gouze, she was a French playwright and political writer. She criticized slavery and in her 1791 Declaration of the Rights of Woman and of the Female Citizen demanded legal equality, public speech and political participation for women. The declaration challenged exclusions in existing declarations; it was not enacted legislation. She opposed revolutionary violence and the power of the Montagnards, and was sentenced to death by the Revolutionary Tribunal and executed in 1793.

International Workingmen's Association (First International) 1816–1887 ○ Natural causes

Textile designer and poet, a member of the Commune, who wrote the words of “The Internationale” in hiding after Bloody Week

After the Paris Commune's defeat, he wrote the words of “The Internationale” while hiding in Paris in June 1871. In exile in the United States, he organized solidarity for deported Communards.

Born to a Paris box-maker, he worked as a textile designer and wrote songs and poems from the 1830s, taking part in the June Days of 1848. He founded a designers’ union and joined the International. Elected to the Commune in an April 1871 by-election for the 2nd arrondissement, he wrote “The Internationale” in hiding in June after Bloody Week. Condemned to death in absentia, he fled to the United States and returned under the 1880 amnesty. He died poor in 1887; the next year Pierre De Geyter set “The Internationale” to music and it became the anthem of the world labour movement.

Independent activity 1819–1877 → Died in exile

Realist painter who led the Commune’s Federation of Artists and went into Swiss exile blamed for the Vendôme Column

In the 1871 Paris Commune, Courbet chaired the Federation of Artists and served as a councillor, advocating the opening of museums. After its defeat, he was imprisoned for six months over the Vendôme Column’s destruction; a later order to pay reconstruction costs led him into exile in Switzerland.

Born to prosperous farmers in Ornans in the Jura, he launched Realism with A Burial at Ornans and The Stone Breakers and was close to Proudhon; in 1870 he refused the Legion of Honour. As president of the Commune’s Federation of Artists in 1871 he demanded self-government for museums and an end to censorship, and after winning a by-election in the 6th arrondissement he sided with the minority against the Commune's Committee of Public Safety. For proposing to remove the Vendôme Column he was sentenced to six months after Bloody Week; ordered in 1873 to pay for its rebuilding, he fled to Switzerland and died at La Tour-de-Peilz.

1821–1878 ○ Intestinal cancer

Poet-publisher who sang the peasants' suffering and turned Pushkin's Sovremennik into the center of revolutionary literature

"You may not be a poet, but you must be a citizen" — the line from Nekrasov's "The Poet and the Citizen" that defined the social mission of Russian literature.

The poet and publisher at the center of Russian realist literature, Nekrasov acquired Pushkin's Sovremennik and built it into the era's foremost literary journal, where the criticism of Belinsky, Chernyshevsky, and Dobrolyubov crossed paths with the fiction of Tolstoy, Dostoevsky, and Turgenev. His verse, which gave voice to the serf in the peasant's own language and folk rhythms, became scripture for the revolutionary democrats; his epic masterpiece Who Is Happy in Russia? remains the most comprehensive verse inquiry into the contradictions of the Russian countryside. At his funeral in 1878, four thousand mourners turned the procession into a political rally, and when Dostoevsky eulogized him as 'the greatest poet since Pushkin,' young revolutionaries shouted back, 'No, greater!'

1826–1889 ○ Stroke

19th-century Russia's greatest satirist, who mercilessly ridiculed autocracy and serfdom

In 1885–86, among the student delegations visiting the ailing Shchedrin were Lenin's brother Alexander and sister Anna; Anna Ulyanova-Elizarova recalled him as 'our most beloved writer.'

Mikhail Saltykov-Shchedrin, 19th-century Russia's greatest satirist, exposed the corruption of autocracy, bureaucracy, and serfdom in landmark works including The History of a Town (1870) and The Golovlyov Family (1880). Born into the nobility, he embraced French utopian socialism (Fourier, Saint-Simon) and joined the Petrashevsky Circle; exiled to Vyatka in 1848 for his novella A Complicated Affair, he spent seven years as a provincial official witnessing Russia's contradictions firsthand, and later, after Nekrasov's death, edited Otechestvennye Zapiski as a leading voice of radical journalism. Lenin called him 'the revolutionary youth's favourite writer'; Zinoviev declared that 'his work undermined the foundations of Tsarism more truly than any organization of the then active revolutionaries'; Marx and Engels studied his satires with close political attention.

1853–1921 ○ Pneumonia

The conscience of Russian letters who rejected both tsar and Bolshevik

“Human beings are to happiness like birds are to flight, but happiness is not always for them.” — Paradox

Born to a Ukrainian Cossack father and Polish mother, he found his 'true native land' in Russian literature and became one of its most principled voices. Multiple Siberian exiles for his Narodnik activism furnished the material for 'Makar's Dream' and 'The Blind Musician,' which placed him at the summit of Russian letters by the late 1880s. He defended Udmurt peasants in the Multan affair and Jews in the Beilis trial under the Tsar, then openly condemned Bolshevik Red Terror and capital punishment in his letters to Anatoly Lunacharsky. When Alexei Gorky was expelled from the Academy in 1902, Korolenko resigned his own honorary membership in protest and spent his final days organizing famine relief.

1863–1938 ○ Natural causes

Founder of the Moscow Art Theatre and creator of the Stanislavsky system

At the MAT's 30th anniversary gala in 1928, a heart attack struck him on stage. He stayed until the curtain fell, then left — and never acted again.

Russian and Soviet theatre director and actor. In 1898 he co-founded the Moscow Art Theatre, transforming modern drama with landmark productions. His Stanislavsky system, which systematised the actor's psychological truth, became the foundation of acting training worldwide.

1880–1921 ○ died of illness in

Russia's foremost Symbolist poet who embraced the October Revolution

After finishing The Twelve, he wrote in his diary: 'Today I am a genius.'

The foremost poet of Russia's Silver Age and leader of the Symbolist movement, Alexander Blok wrote The Twelve (1918), the Revolution's greatest literary work, placing Christ before twelve Red Guards marching through a blizzard. One of only five established writers to answer Lunacharsky's summons after the Bolsheviks took power, he served on the Provisional Government's commission investigating Tsarist ministers and worked in Soviet cultural institutions. His revolutionary commitment alienated his Symbolist readership while his mysticism distanced Bolshevik critics, and by 1921 he had fallen silent, saying 'all sounds have stopped.' Refused an exit visa for medical treatment, he died at forty; Gorky warned Lunacharsky the regime would be 'guilty of his death.'