Bertolt Eugen Berthold Friedrich Brecht

Bertolt Eugen Berthold Friedrich Brecht

1898–1956 ○ Died of heart attack

Marxist playwright who weaponized theatre for class struggle through epic theatre and the Verfremdungseffekt

When I read Marx's Capital, I understood my plays — Marx was the only spectator for my plays I'd ever come across.

Bertolt Brecht was the 20th century's most important Marxist playwright and the founder of epic theatre, a poet and director who transformed the stage into a forum for class consciousness and anti-capitalist critique. After embracing Marxism under Karl Korsch in the late 1920s, he developed the Verfremdungseffekt — a defamiliarization technique that broke emotional immersion to provoke critical reflection — and with works like The Threepenny Opera, Mother Courage and Her Children, and The Good Person of Szechwan, he fused avant-garde form with popular idiom to anatomize capitalism and war. Driven out by the Nazis in 1933, he lived in exile in Scandinavia and the US—where HUAC investigated him in 1947—before returning to found the Berliner Ensemble with Helene Weigel in East Berlin in 1949, defining postwar theatre worldwide until his death in 1956.